
Happy Birthday Gen
A lockdown lament
‘WE SHALL SING AGAIN’ (copyright!)
to be sung to the tune of Danny Boy (not too slowly)
This desperate time.. while Covid still is wi-th us,
and vic-tory.. seems very far away..
yet deep inside.. we know that we shall sing again
and we look for-ward to that wonderous day.
Let souls and voi-ces waft toward the hea-vens
in triumph, know that we shall overcome..
yes, we shall sing – again when Covid’s beaten.
And at that ti-me.., we’ll sing again as one.
But we are sa…d, we cannot have our summer show..
to cel-e-brate our fifty years of song..
The 8th of June.., like other days will come and go..
but in our hearts.. we’ll sing again, erelong.
Those times will come.. when once more we shall sing again
with hearts and vo-ices tuned, and thus renewed.
Our mel-o-dies, some old, some new resounding
Those joyful so-ngs.., with which we are imbued…
Let sadness flee.. – for yes, we all shall sing again.
Our sounds will soar… to heights yet unexplor-ed..
The au-di-ence will shout, and clap enra-ptured
the N M M – now once again restored.
So don’t despair.. those Thursday nights could soon be here
friends old and new.. we’ll greet with smiles and tears
a future, glo-rious lays itself before us
and we shall sing again for many happy years.
In popular music, a verse roughly corresponds to a poetic stanza because it consists of rhyming lyrics most often with an AABB or ABAB rhyme scheme. Hence the word TIME in verse two and SONGS inA verse four should be pronounced in a similar way to the word TUNE or TOOONE; ie TI,IIME or SO,OONGS – get it?. I think I’m going crazy???!!! (not really) Keep safe everybody. Love and God Bless from Roy XX
QUIZ – QUIZ – QUIZ
MESSIAH AT HOME
See how many questions you can get right!
1. A performance of Handel’s “Messiah” lasts about 2 1/2 hours. Amazingly, Handel composed the entire oratorio in only:
a.47 days b.3 months c.24 days d.1 week
2. Until Wagner’s work in the 19th century, virtually all opera and oratorio texts were written by someone other than the composer. For “Messiah”, Handel set to music the text selected by this man.
a.Antonio Vivaldi b.Moliere c.John Milton d.Charles Jennens
3. “Messiah” is presented in three parts. Part I (the Christmas portion) starts with the prophecy and coming of Christ. Part II (the Easter portion) describes the passion and death of Christ. What is the theme of Part III?
a.Persecution of the early church b. Promise of eternal life for believers c.Paul’s travels d. Acts of faith by early believers
4. Throughout his life, Handel refused to accept any money from the performances of “Messiah”. He refused because:
a. He wanted the performers to get all the proceeds b.He wanted the librettest to get the money c.He felt that he did not deserve it d. He wanted the money to go to the Church
5. Although they never met, Handel and Bach are both giants of Baroque music. Handel’s oratorios have more changes in texture than those of Bach and the ____________ is more prominently featured in Handelian oratorios.
a. orchestra b.cambiata c.actor d.chorus
6. Typical Baroque musical idioms are used by Handel throughout “Messiah”. These include ritornello form, basso continuo, terraced dynamics and:
a.crescendo and decrescendo b.sonata-allegro form c. simple, easily sung melodies d.word painting
7. “Messiah” is the exception to the definition of oratorio because it has no:
a.scenary or costumes b.plot or characters c.acts or scenes d.spoken narrative or dialogue
8. “Messiah” premiered in 1742 in the city of:
a.Dublin b.Dresden c.London d.Edinburgh
9.Because of the excitement surrounding the anticipated premier of “Messiah”, audience members were asked for certain considerations. In order to increase the capacity of the concert hall, men were asked to leave their dress swords at home and women were asked to:
a. not bring large fans b.not wear hoop skirts c.leave their children at home d.not wear large hats
10. Although the premier was very successful, “Messiah” received a poor reception in London because of religious objections to:
a.the use of a sacred text in a theatre b.violations of the Council of Trent c. the treatment of Christ’s birth in the story d. the use of secular music for a sacred text
11. “Messiah” is Handel’s only English oratorio that uses text from:
a. The Old and New Testaments b.John Milton’s ‘Paradise lost’ c.John Bunyan’s ‘Pilgrim’s Progress’ d.The Apocrypha
12. In Handel’s day, the orchestra and chorus for “Messiah” were significantly smaller than those with which we are used to seeing it performed today. The chorus was only 20 singers and they were:
a.usually amateurs b.all male c.all female d.mixed chorus
13. In the Baroque period, sacred and secular music were very similar in style. “For Unto Us a Child is Born”, the twelfth movement of “Messiah”, derives much of it’s melodic content from:
a.An Italian opera by Bach b.An English aria by Purcell c.A popular drinking song d.An Italian love duet by Handel
14. Why do most audiences stand when the “Hallelujah Chorus” is performed?
a. To show respect for God b.The king stood when he heard it c.Handel wrote it into the music d.It is part of the intermission
15. Although born and reared in Halle, upper Saxony, Handel is considered to be the premier composer of England. Upon his death in 1759, over 3,000 mourners attended his funeral which was held in this famous place.
a.St Marks Cathedral b.Westminster Abbey c.Covent Garden d.St Paul’s Cathedral
A bit high brow isn’t it!!!!
ZOOM tomorrow night we are going to something very exciting. We are going into breakout rooms. We will be put into random rooms with random people for a chat. Thanks Chris for organising. Afterwards we will have a little sing song of You Raise Me Up. I suggested the Hallelujah Chorus, but somehow Chris didn’t think that would work on ZOOM.
Join Zoom Meeting
https://us04web.zoom.us/j/667379474
Don’t forget the password Gold
Meeting ID: 667 379 474
Lin







